The fantasy bard is very easy to dress badly.
I play Dungeons & Dragons regularly, so I know the wardrobe that starts assembling itself the moment somebody says bard. Begin with a white shirt whose sleeves have ambitions of their own. Add an embroidered waistcoat. Put something velvet over that, preferably in burgundy. Tie a scarf somewhere it does not need to be tied, add several rings, a pendant, a feathered hat and boots with just enough curl at the toe to create uncertainty about whether a jester is involved.
You now look unmistakably like a bard.
Unfortunately, you also look as though you may be required to sing for your supper.
The obvious solution is to tone everything down. I don’t think that is quite right.
A bard is a performer. Being noticed is not an unfortunate side effect of the clothes; it is part of the point. Colour, pattern, jewellery, unusual tailoring and fabrics that react beautifully to light all belong here. A coat that enters the room half a second before its wearer is entirely acceptable.
The challenge is not making a bard quieter. It is translating what fantasy clothing is trying to say into clothes that still make sense once the tavern becomes a pub, the lute disappears and somebody has to catch the bus home.
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